I love them when a lead trumpet player comes with those notes. Mine do not sound better I wanted not to critizise your high notes but this high notes on trombone or tuba in general. Once you have this down, it's just a matter of transferring your knowledge by half steps to the other positions. The accompanying ETSP Chart shows precise positions for all available equirempered tones on all harmonics, up to C6. The low B is possibly the most challenging note on the bass trombone. Alternate positions are incredibly useful for trombonists, and having a working proficiency with them will make life much easier. From there, you go up to the second (C), third (D), sharp fourth (Enatural), and so on. The choice of which positions to use depends on a few things including which notes come before it. (You are Here) Go Here for the slide position chart for a. Go Here for the slide position chart for a treble clef trombone with an F attachment trigger. Go Here for the slide position chart for a bass trombone Bb-F-Gb. ![]() You then have an octave up, then a fifth, back to root, third, fifth, flat seventh, and finally root again (the eighth harmonic on this chart). Slide Position Chart for Straight Trombone Go Here for the slide position chart for a trombone with an F attachment trigger. Granted, it may not be the best position to play that higher note, and there are of course notes that are added, but this is a good rule of thumb.Īnd finally to answer your question: This shows the harmonic overtone series, and with some basic knowledge of music theory, it can be transferred to trombone. If you can play a note, you can play it an octave higher in the same position. These are the fundamental notes and positions you need to learn. You point out that you can go lower using the F trigger - personally, I can get down to a C with the trigger and 7th position, then you're down in pedal tones, where the best I can do is a G or so. ![]() Trombone range (and range of all brass instruments, really) is theoretically infinite in both directions and limited only by the player. Heres a three octave slide position chart and a first position (fundamental) overtone chart for the alto trombone. So are the harmonic anomalies like the 7th overtone being flat and therefore must be pulled up. Keep in mind that the alto is a perfect fourth above the tenor. I'm no expert on the trombone, but my teacher is and she gave me these few tips that I have found really useful: The second part is a positioning chart from the pedal Eb to the high Eb.
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